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We are living in a transcendental moment in the history of humanity, both socially and ecologically. Each of us can do a little part.

THE VISION

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Art is the journey of a free soul


TRANSMUTED ATMOSPHERE

20 works

This series of digital work emphasizes on the fragile relationship between humanity and nature. Through powerful and highly contrasted images, I seek to capture a world in transformation, a world where the atmosphere itself seems disturbed, altered, …

TRANSMUTED ATMOSPHERE

Featured Paintings

London Eye Spectrum

These series of this digital work emphasizes on the fragile relationship between humanity and nature. Through powerful and highly contrasted images, I seek to capture a world in transformation, a world where the atmosphere itself seems disturbed, altered, and transmuted. The skies I portray, often darkened or almost unreal, are not simply aesthetic choices; they are metaphors for the state of our environment and the consequences of human intervention.

Burning Empire

These series emphasizes on the legacy of industrialization and its silent cost: the warming of our world. The port, the chimneys, the factories—symbols of progress—now speak of disruption, excess, and fragility. Each photograph reveals a world upside down. They have been created through a process of inversion, negatives turned into positives, where light becomes shadow and colors erupt into explosive, unreal skies. These skies, often darkened, burning, or almost surreal, are not mere aesthetic choices; they are metaphors for the state of our atmosphere, disturbed, altered, and transmuted by human intervention. What remains are landscapes of a post-industrial New York, at once powerful and unsettling, where light and shadow exchange roles and the atmosphere itself seems to question us. These works do not shout; they whisper. And in their whisper lies a reminder: the climate is changing, and its memory is longer than ours. Yet their message is clear: How long can we remain indifferent, and will we act before it is too late?

Hot Blue Chinatown

These series emphasizes on the legacy of industrialization and its silent cost: the warming of our world. The port, the chimneys, the factories—symbols of progress—now speak of disruption, excess, and fragility. Each photograph reveals a world upside down. They have been created through a process of inversion, negatives turned into positives, where light becomes shadow and colors erupt into explosive, unreal skies. These skies, often darkened, burning, or almost surreal, are not mere aesthetic choices; they are metaphors for the state of our atmosphere, disturbed, altered, and transmuted by human intervention. What remains are landscapes of a post-industrial New York, at once powerful and unsettling, where light and shadow exchange roles and the atmosphere itself seems to question us. These works do not shout; they whisper. And in their whisper lies a reminder: the climate is changing, and its memory is longer than ours. Yet their message is clear: How long can we remain indifferent, and will we act before it is too late? Pushing technology to its limits, creates unreal and magical atmospheres. In this case, perhaps New York at night. Or maybe it is, rather, a powerful message: The atmosphere shown as disturbed, altered, transmuted. But isn’t that precisely what we humans have done to it?

Waiting Is Too Late

These series emphasizes on the legacy of industrialization and its silent cost: the warming of our world. The port, the chimneys, the factories—symbols of progress—now speak of disruption, excess, and fragility. Each photograph reveals a world upside down. They have been created through a process of inversion, negatives turned into positives, where light becomes shadow and colors erupt into explosive, unreal skies. These skies, often darkened, burning, or almost surreal, are not mere aesthetic choices; they are metaphors for the state of our atmosphere, disturbed, altered, and transmuted by human intervention. What remains are landscapes of a post-industrial New York, at once powerful and unsettling, where light and shadow exchange roles and the atmosphere itself seems to question us. These works do not shout; they whisper. And in their whisper lies a reminder: the climate is changing, and its memory is longer than ours. Yet their message is clear: How long can we remain indifferent, and will we act before it is too late? Pushing technology to its limits, creates unreal and magical atmospheres. In this case, perhaps New York at night. Or maybe it is, rather, a powerful message: The atmosphere shown as disturbed, altered, transmuted. But isn’t that precisely what we humans have done to it?

Horny Manhattan

These series of this digital work emphasizes on the fragile relationship between humanity and nature. Through powerful and highly contrasted images, I seek to capture a world in transformation, a world where the atmosphere itself seems disturbed, altered, and transmuted. The skies I portray, often darkened or almost unreal, are not simply aesthetic choices; they are metaphors for the state of our environment and the consequences of human intervention.

Bleeding New York

This series emphasizes on the legacy of industrialization and its silent cost: the warming of our world. The port, the chimneys, the factories—symbols of progress—now speak of disruption, excess, and fragility. Each photograph reveals a world upside down. They have been created through a process of inversion, negatives turned into positives, where light becomes shadow and colors erupt into explosive, unreal skies. These skies, often darkened, burning, or almost surreal, are not mere aesthetic choices; they are metaphors for the state of our atmosphere, disturbed, altered, and transmuted by human intervention. What remains are landscapes of a post-industrial New York, at once powerful and unsettling, where light and shadow exchange roles and the atmosphere itself seems to question us. These works do not shout; they whisper. And in their whisper lies a reminder: the climate is changing, and its memory is longer than ours. Yet their message is clear: How long can we remain indifferent, and will we act before it is too late? Vinnegar Hill and Lower Manhattan on wierd colours.

524 Weeks Left

This series emphasizes on the legacy of industrialization and its silent cost: the warming of our world. The port, the chimneys, the factories—symbols of progress—now speak of disruption, excess, and fragility. Each photograph reveals a world upside down. They have been created through a process of inversion, negatives turned into positives, where light becomes shadow and colors erupt into explosive, unreal skies. These skies, often darkened, burning, or almost surreal, are not mere aesthetic choices; they are metaphors for the state of our atmosphere, disturbed, altered, and transmuted by human intervention. What remains are landscapes of a post-industrial New York, at once powerful and unsettling, where light and shadow exchange roles and the atmosphere itself seems to question us. These works do not shout; they whisper. And in their whisper lies a reminder: the climate is changing, and its memory is longer than ours. Yet their message is clear: How long can we remain indifferent, and will we act before it is too late?

The Sky Is The Limit

This series emphasizes on the legacy of industrialization and its silent cost: the warming of our world. The port, the chimneys, the factories—symbols of progress—now speak of disruption, excess, and fragility. Each photograph reveals a world upside down. They have been created through a process of inversion, negatives turned into positives, where light becomes shadow and colors erupt into explosive, unreal skies. These skies, often darkened, burning, or almost surreal, are not mere aesthetic choices; they are metaphors for the state of our atmosphere, disturbed, altered, and transmuted by human intervention. What remains are landscapes of a post-industrial New York, at once powerful and unsettling, where light and shadow exchange roles and the atmosphere itself seems to question us. These works do not shout; they whisper. And in their whisper lies a reminder: the climate is changing, and its memory is longer than ours. Yet their message is clear: How long can we remain indifferent, and will we act before it is too late? Cannary Warf con unos extraordinarios colores y luz.

West London Blue's

This body of work emphasizes on the fragile relationship between humanity and nature. Through powerful and highly contrasted images, I seek to capture a world in transformation, a world where the atmosphere itself seems disturbed, altered, and transmuted. The skies I portray, often darkened or almost unreal, are not simply aesthetic choices; they are metaphors for the state of our environment and the consequences of human intervention.

East London Disruption

The blackened or disrupted skies in my photographs aim to provoke a sense of unease. They are not the skies we are used to seeing, but rather visions of an atmosphere that has been transformed, even damaged, by our actions. They remind us that climate change and environmental degradation are not abstract concepts, but urgent realities that affect us all. East London in Purple colours

Passa il Tempo a Santa Maria Sopra Minerva

In this series, I also address the rising sea levels, one of the most visible and urgent consequences of climate change. The water becomes both a mirror and a warning, symbolizing the way in which nature inevitably responds to our actions.

Manhattan Overdose.

This body of work emphasizes on the fragile and complex relationship between humanity and nature. Through powerful and highly contrasted images, I seek to capture a world in transformation, a world where the atmosphere itself seems disturbed, altered, and transmuted. The skies I portray, often darkened or almost unreal, are not simply aesthetic choices; they are metaphors for the state of our environment and the consequences of human intervention. Brooklyn Bridge On the way to Manhattan in magenta colors.

Transformed Atmosphere in Barcelona.

Ultimately, this series seeks to open a dialogue with the viewer. It invites us to question what kind of world we are shaping, what skies future generations will inherit, and whether we are willing to acknowledge the atmosphere not as an invisible backdrop, but as a living entity that sustains us. These transformed, unsettling atmospheres are a mirror of our times, but they are also a call to awareness, to responsibility, and perhaps, to change. El Poble Nou transmutado.

Dramatic Sky at the Barcelona Forum

Transfiguered Brooklyn

This body of work emphasizes on the fragile and complex relationship between humanity and nature. Through powerful and highly contrasted images, I seek to capture a world in transformation, a world where the atmosphere itself seems disturbed, altered, and transmuted. The skies I portray, often darkened or almost unreal, are not simply aesthetic choices; they are metaphors for the state of our environment and the consequences of human intervention.

Changed Enviroment at Albert Bridge

These cityscape views are the magical result of extensive research and both intellectual and hands-on work with the computer. The urban landscape remains recognizable, yet it is completely transformed through light and color. This is a unique technique in the world, one that Carlos knows how to master brilliantly.


MADRID

32 works

Oil and pencil on a black and white photo grisaille on canvas. Nature rises quietly yet persistently, reclaiming the spaces that humanity has occupied and transformed. Each work reflects this silent act of resistance, where beauty and warning coexist…

MADRID

Featured Paintings

Reconquista Natural # 3

Time has passed and humanity has vanished leaving behind only traces of its mess. Nature has returned, covering the city in silence and green. What was once a symbol of movement and progress is now reclaimed by trees and branches, a reminder that balance was never a choice but a necessity.

La Ciudad Emboscada

Nature will always prevail.

Ilusión Lumínica # 2

Nature seeks to reclaim the space that humanity has slowly taken away. An invented sunset, or perhaps a dawn, everything is illusion, a fragile moment between loss and renewal.

La Metáfora y el Bosque

Madrid in a vision that translates into color what cannot be expressed in words: the beauty and bewilderment of an era changing before our eyes.

Horizonte Descubierto

The city emerges from nature. It’s a contradiction that makes perfect sense.

Un Nuevo Horizonte en Madrid # 2

Oil and pencil on black and white photo- grisaille. My painting style is a constant dialogue between the city and nature. In my works, the urban landscapes of Madrid are not shown in their usual form; they are surrounded and transformed by an exuberant nature that seems to reclaim its space. Iconic buildings, streets, and squares that many recognize are immersed in a lush, green environment, as if nature had begun to take back what once belonged to it.

Capitol and Nature Simbiosis.

The only thing that remains constant is change.

Palace Hotel Forever. Madrid

The day bids farewell, leaving a promise of rebirth in every shadow. El día se despide dejando una promesa de renacimiento en cada sombra.

La Gran Ría # 5

The orange city vibrates through the water, reminding us that the world remains alarmingly fragile.

Flay Madrid

Everything seems frozen, as if the city itself were holding its breath, watching the solitary stillness of that tree, which seems to know more about the world than any person around it.

Gran Veduta de Madrid # 2

My painting style has been, since its beginnings, a constant dialogue between the city and nature. In my works, the urban landscapes of Madrid are not shown in their usual form; instead, they are surrounded and transformed by lush nature that seems to reclaim its space. Iconic buildings, streets, and squares recognizable to many appear immersed in a green and thriving environment, as if nature has begun to reclaim what was once its own.

Madrid Recreado, Fusión sin Límites

A daring transformation of the city of Madrid.

Canalejas en Candilejas

A groundbreaking photograph served as the basis for this painting, in which the world is turned upside down. Light turns into shadow, shadow glows into light, and colors transform into their complementary tones, creating a sense of pure magic. This image is the result of inverting a positive into a negative and then applying oil paint by hand, as always. These cityscapes emerge from a fusion of meticulous research, intellectual exploration. Each piece undergoes a transformative process where photography and digital brushstrokes merge, redefining familiar urban landscapes through the alchemy of light and color. It’s a one-of-a-kind technique, mastered with precision by Carlos

Goya y la Luna

Goya illuminated by moonlight at his museum. Goya iluminado por luna en su museo.

Tutto Madrid

Beautiful light for a city recreation

Gran Vía Plaza. Madrid

Nature reclaims the space that once belonged to it.


LONDON

15 works
LONDON

Featured Paintings

London Is Watching You

Panorama abierto y amplio de la gran ciudad europea que es Londres

Chelsea Giraffe in the Aftericity.

Chelsea Capriccio is The Bibendum Building in a magic and invented London. Nature reconquers the space of the city. A metaphor of the times we live. The city shown as a very transformed space where buildings and other elements are relocated at theauthor's criteria. The difficult balance between nature and human beings generates a lot of uncertainty. For this reason, I try to develop this theme in my artistic work. I prefer to do it in an optimistic way, generating illusion and having beauty as a goal in the creation of images. About the technique: When painting in oil on the grisaille, there is a total control, both in shape and color. Working with oil paint is a huge advantage due to the great power you have over the image. By using transparent glazes, layer upon layer, you get very unique vibrations of color and textures.

Chelsea Capriccio

Chelsea Capriccio is The Bibendum Building in a magic and invented London.

Tower Bridge Forever

Tower Bridge. The London Bridge in a somewhat altered composition from reality, with certain buildings repositioned to create a significantly enhanced composition. The idealized city in this painting is a reverie of the urban landscape, closer to how it should be than how it actually is.

All London From Greenwich.

Panorama abierto y amplio de la gran ciudad europea que es Londres

Londinium Alla Piero Della Francesca

Nature reconquers the space of the city. A metaphor of the times we live. The city shown as a very transformed space where buildings and other elements are relocated at theauthor's criteria.

Londinium Alla Piero Della Francesca #2.

Londinium Alla Piero Della Francesca #2

Thames Heart.

Panorama abierto y amplio de la gran ciudad europea que es Londres


OTHER CITIES

18 works

New York, Venice, Barcelona, Granada, Sevilla, Dubai, etc.

OTHER CITIES

Featured Paintings

The Empire State From Brooklyn Navy Yard

In The Brooklyn Navy Yard. New York.jpg

A view of the inside Brooklyn Navy Yard in New York. Let me tell you an anecdote that happened to my daughter India and me a little before taking the photograph. When I was conceived, my parents lived in Brooklyn, New York. My father spent 2 years working as an engineer at the Brooklyn Navy Yard, contributing to the construction of 2 aircraft carriers. Perhaps due to this, and because I was nearly born there, I've always held New York in high regard as a fetish and an inspiring city. In 2017, my daughter India and I embarked on a photographic journey to New York. As we approached the access control of the Brooklyn Navy Yard, the guard initially denied us entry, as we lacked permits and accreditation. I persisted, and it seemed impossible, yet, inexplicably, at one point, he entered the small booth and emerged with a sticker that granted us access to the entire facility and allowed us to take photographs. While I don't believe much in the afterlife or paranormal situations, that change of heart from the guard appears to have been influenced by my father, wherever he may be. Thank you, Dad. From there, the views of Manhattan are truly unique.

Manhattan From Brooklyn Navy Yard. New York

Manhattan From Brooklyn Navy Yard. New York

From Brooklyn Navy Yard. New York.

A view of Manhattan and Vinegar Hill from Brooklyn Navy Yard in New York Let me tell you an anecdote that happened to my daughter India and me a little before taking the photograph. When I was conceived, my parents lived in Brooklyn, New York. My father spent 2 years working as an engineer at the Brooklyn Navy Yard, contributing to the construction of 2 aircraft carriers. Perhaps due to this, and because I was nearly born there, I've always held New York in high regard as a fetish and an inspiring city. In 2017, my daughter India and I embarked on a photographic journey to New York. As we approached the access control of the Brooklyn Navy Yard, the guard initially denied us entry, as we lacked permits and accreditation. I persisted, and it seemed impossible, yet, inexplicably, at one point, he entered the small booth and emerged with a sticker that granted us access to the entire facility and allowed us to take photographs. While I don't believe much in the afterlife or paranormal situations, that change of heart from the guard appears to have been influenced by my father, wherever he may be. Thank you, Dad. From there, the views of Manhattan are truly unique.

Manhattan From Brooklyn Navy Yard

Vinegar Hill From Brooklyn Navy Yard. New York

Flatiron & Company

Flatiron building in New York. Good other buidings around. Not real.

Manhattan From Brooklyn Bridge. New York

Manhattan From Brooklyn Bridge. New York

Early Morning, the Ravenswood Generating Station. New York.

Early Morning, the Ravenswood Generating Station. New York.


UTOPIAN DISTOPIA

9 works

By using Artificial Intelligence-generated photography as my camera, I have the ability to access any corner of the world and capture extraordinary photographs of interiors, landscapes, animals, unique objects, and a wide range of other subjects. To…

UTOPIAN DISTOPIA
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Madrid, Spain