Waiting Is Too Late
These series emphasizes on the legacy of industrialization and its silent cost: the warming of our world. The port, the chimneys, the factories, symbols of progress, now speak of disruption, excess, and fragility.
Each photograph reveals a world upside down. They have been created through a process of inversion, negatives turned into positives, where light becomes shadow and colors erupt into explosive, unreal skies. These skies, often darkened, burning, or almost surreal, are not mere aesthetic choices; they are metaphors for the state of our atmosphere, disturbed, altered, and transmuted by human intervention.
What remains are landscapes of a post-industrial New York, at once powerful and unsettling, where light and shadow exchange roles and the atmosphere itself seems to question us. These works do not shout; they whisper. And in their whisper lies a reminder: the climate is changing, and its memory is longer than ours.
Yet their message is clear: How long can we remain indifferent, and will we act before it is too late?
Pushing technology to its limits, creates unreal and magical atmospheres. In this case, perhaps New York at night. Or maybe it is, rather, a powerful message: The atmosphere shown as disturbed, altered, transmuted. But isn’t that precisely what we humans have done to it?