Passa il Tempo a Santa Maria Sopra Minerva
This work reflects on the rising sea levels caused by climate change, capturing water as both a reflective surface and a silent warning. The iconic Santa Maria Sopra Minerva stands partially submerged, transformed by this creeping tide that reshapes familiar landmarks. Through subtle tonal shifts and layered textures, the painting evokes a tension between serenity and threat, inviting contemplation on nature’s inevitable response to human impact. The composition balances architectural detail with the fluidity of water, symbolizing both loss and resilience.
EXPLORE TRANSMUTED ATMOSPHERE
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London Eye Spectrum
These series of this digital work emphasizes on the fragile relationship between humanity and nature. Through powerful and highly contrasted images, I seek to capture a world in transformation, a world where the atmosphere itself seems disturbed, altered, and transmuted. The skies I portray, often darkened or almost unreal, are not simply aesthetic choices; they are metaphors for the state of our environment and the consequences of human intervention.
Burning Empire
These series emphasizes on the legacy of industrialization and its silent cost: the warming of our world. The port, the chimneys, the factories—symbols of progress—now speak of disruption, excess, and fragility. Each photograph reveals a world upside down. They have been created through a process of inversion, negatives turned into positives, where light becomes shadow and colors erupt into explosive, unreal skies. These skies, often darkened, burning, or almost surreal, are not mere aesthetic choices; they are metaphors for the state of our atmosphere, disturbed, altered, and transmuted by human intervention. What remains are landscapes of a post-industrial New York, at once powerful and unsettling, where light and shadow exchange roles and the atmosphere itself seems to question us. These works do not shout; they whisper. And in their whisper lies a reminder: the climate is changing, and its memory is longer than ours. Yet their message is clear: How long can we remain indifferent, and will we act before it is too late?
Hot Blue Chinatown
This series explores the legacy of industrialization and its silent consequence: a warming, altered atmosphere. Through an innovative inversion process, photographs transform light into shadow and colors into surreal, explosive skies, reflecting the fragility of post-industrial New York’s Chinatown. The glowing blues and intensified contrasts evoke a cityscape both familiar and transformed—where nature’s disturbance mirrors humanity’s imprint. These ethereal images whisper a warning about climate change, urging reflection before it is too late. Blurring the line between photography and digital manipulation, the work creates a haunting nocturnal vision that is as mesmerizing as it is unsettling.
Waiting Is Too Late
These series emphasizes on the legacy of industrialization and its silent cost: the warming of our world. The port, the chimneys, the factories, symbols of progress, now speak of disruption, excess, and fragility. Each photograph reveals a world upside down. They have been created through a process of inversion, negatives turned into positives, where light becomes shadow and colors erupt into explosive, unreal skies. These skies, often darkened, burning, or almost surreal, are not mere aesthetic choices; they are metaphors for the state of our atmosphere, disturbed, altered, and transmuted by human intervention. What remains are landscapes of a post-industrial New York, at once powerful and unsettling, where light and shadow exchange roles and the atmosphere itself seems to question us. These works do not shout; they whisper. And in their whisper lies a reminder: the climate is changing, and its memory is longer than ours. Yet their message is clear: How long can we remain indifferent, and will we act before it is too late? Pushing technology to its limits, creates unreal and magical atmospheres. In this case, perhaps New York at night. Or maybe it is, rather, a powerful message: The atmosphere shown as disturbed, altered, transmuted. But isn’t that precisely what we humans have done to it?
Horny Manhattan
This digital series explores the fragile tension between humanity and nature through stark, high-contrast imagery. It reveals a transforming world where the atmosphere appears disturbed and transmuted, its darkened, almost surreal skies serving as potent metaphors for environmental fragility and the consequences of human impact. By capturing Manhattan’s iconic landscape under this altered light, the work invites reflection on our role in the planet’s evolving state.
524 Weeks Left
This series emphasizes on the legacy of industrialization and its silent cost: the warming of our world. The port, the chimneys, the factories—symbols of progress—now speak of disruption, excess, and fragility. Each photograph reveals a world upside down. They have been created through a process of inversion, negatives turned into positives, where light becomes shadow and colors erupt into explosive, unreal skies. These skies, often darkened, burning, or almost surreal, are not mere aesthetic choices; they are metaphors for the state of our atmosphere, disturbed, altered, and transmuted by human intervention. What remains are landscapes of a post-industrial New York, at once powerful and unsettling, where light and shadow exchange roles and the atmosphere itself seems to question us. These works do not shout; they whisper. And in their whisper lies a reminder: the climate is changing, and its memory is longer than ours. Yet their message is clear: How long can we remain indifferent, and will we act before it is too late?
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