EXPLORE TRANSMUTED ATMOSPHERE
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London Eye Spectrum
These series of this digital work emphasizes on the fragile relationship between humanity and nature. Through powerful and highly contrasted images, I seek to capture a world in transformation, a world where the atmosphere itself seems disturbed, altered, and transmuted. The skies I portray, often darkened or almost unreal, are not simply aesthetic choices; they are metaphors for the state of our environment and the consequences of human intervention.
Burning Empire
These series emphasizes on the legacy of industrialization and its silent cost: the warming of our world. The port, the chimneys, the factories—symbols of progress—now speak of disruption, excess, and fragility. Each photograph reveals a world upside down. They have been created through a process of inversion, negatives turned into positives, where light becomes shadow and colors erupt into explosive, unreal skies. These skies, often darkened, burning, or almost surreal, are not mere aesthetic choices; they are metaphors for the state of our atmosphere, disturbed, altered, and transmuted by human intervention. What remains are landscapes of a post-industrial New York, at once powerful and unsettling, where light and shadow exchange roles and the atmosphere itself seems to question us. These works do not shout; they whisper. And in their whisper lies a reminder: the climate is changing, and its memory is longer than ours. Yet their message is clear: How long can we remain indifferent, and will we act before it is too late?
Hot Blue Chinatown
These series emphasizes on the legacy of industrialization and its silent cost: the warming of our world. The port, the chimneys, the factories—symbols of progress—now speak of disruption, excess, and fragility. Each photograph reveals a world upside down. They have been created through a process of inversion, negatives turned into positives, where light becomes shadow and colors erupt into explosive, unreal skies. These skies, often darkened, burning, or almost surreal, are not mere aesthetic choices; they are metaphors for the state of our atmosphere, disturbed, altered, and transmuted by human intervention. What remains are landscapes of a post-industrial New York, at once powerful and unsettling, where light and shadow exchange roles and the atmosphere itself seems to question us. These works do not shout; they whisper. And in their whisper lies a reminder: the climate is changing, and its memory is longer than ours. Yet their message is clear: How long can we remain indifferent, and will we act before it is too late? Pushing technology to its limits, creates unreal and magical atmospheres. In this case, perhaps New York at night. Or maybe it is, rather, a powerful message: The atmosphere shown as disturbed, altered, transmuted. But isn’t that precisely what we humans have done to it?
Waiting Is Too Late
These series emphasizes on the legacy of industrialization and its silent cost: the warming of our world. The port, the chimneys, the factories—symbols of progress—now speak of disruption, excess, and fragility. Each photograph reveals a world upside down. They have been created through a process of inversion, negatives turned into positives, where light becomes shadow and colors erupt into explosive, unreal skies. These skies, often darkened, burning, or almost surreal, are not mere aesthetic choices; they are metaphors for the state of our atmosphere, disturbed, altered, and transmuted by human intervention. What remains are landscapes of a post-industrial New York, at once powerful and unsettling, where light and shadow exchange roles and the atmosphere itself seems to question us. These works do not shout; they whisper. And in their whisper lies a reminder: the climate is changing, and its memory is longer than ours. Yet their message is clear: How long can we remain indifferent, and will we act before it is too late? Pushing technology to its limits, creates unreal and magical atmospheres. In this case, perhaps New York at night. Or maybe it is, rather, a powerful message: The atmosphere shown as disturbed, altered, transmuted. But isn’t that precisely what we humans have done to it?
Horny Manhattan
These series of this digital work emphasizes on the fragile relationship between humanity and nature. Through powerful and highly contrasted images, I seek to capture a world in transformation, a world where the atmosphere itself seems disturbed, altered, and transmuted. The skies I portray, often darkened or almost unreal, are not simply aesthetic choices; they are metaphors for the state of our environment and the consequences of human intervention.
Bleeding New York
This series emphasizes on the legacy of industrialization and its silent cost: the warming of our world. The port, the chimneys, the factories—symbols of progress—now speak of disruption, excess, and fragility. Each photograph reveals a world upside down. They have been created through a process of inversion, negatives turned into positives, where light becomes shadow and colors erupt into explosive, unreal skies. These skies, often darkened, burning, or almost surreal, are not mere aesthetic choices; they are metaphors for the state of our atmosphere, disturbed, altered, and transmuted by human intervention. What remains are landscapes of a post-industrial New York, at once powerful and unsettling, where light and shadow exchange roles and the atmosphere itself seems to question us. These works do not shout; they whisper. And in their whisper lies a reminder: the climate is changing, and its memory is longer than ours. Yet their message is clear: How long can we remain indifferent, and will we act before it is too late? Vinnegar Hill and Lower Manhattan on wierd colours.
524 Weeks Left
This series emphasizes on the legacy of industrialization and its silent cost: the warming of our world. The port, the chimneys, the factories—symbols of progress—now speak of disruption, excess, and fragility. Each photograph reveals a world upside down. They have been created through a process of inversion, negatives turned into positives, where light becomes shadow and colors erupt into explosive, unreal skies. These skies, often darkened, burning, or almost surreal, are not mere aesthetic choices; they are metaphors for the state of our atmosphere, disturbed, altered, and transmuted by human intervention. What remains are landscapes of a post-industrial New York, at once powerful and unsettling, where light and shadow exchange roles and the atmosphere itself seems to question us. These works do not shout; they whisper. And in their whisper lies a reminder: the climate is changing, and its memory is longer than ours. Yet their message is clear: How long can we remain indifferent, and will we act before it is too late?
The Sky Is The Limit
This series emphasizes on the legacy of industrialization and its silent cost: the warming of our world. The port, the chimneys, the factories—symbols of progress—now speak of disruption, excess, and fragility. Each photograph reveals a world upside down. They have been created through a process of inversion, negatives turned into positives, where light becomes shadow and colors erupt into explosive, unreal skies. These skies, often darkened, burning, or almost surreal, are not mere aesthetic choices; they are metaphors for the state of our atmosphere, disturbed, altered, and transmuted by human intervention. What remains are landscapes of a post-industrial New York, at once powerful and unsettling, where light and shadow exchange roles and the atmosphere itself seems to question us. These works do not shout; they whisper. And in their whisper lies a reminder: the climate is changing, and its memory is longer than ours. Yet their message is clear: How long can we remain indifferent, and will we act before it is too late? Cannary Warf con unos extraordinarios colores y luz.
West London Blue's
This body of work emphasizes on the fragile relationship between humanity and nature. Through powerful and highly contrasted images, I seek to capture a world in transformation, a world where the atmosphere itself seems disturbed, altered, and transmuted. The skies I portray, often darkened or almost unreal, are not simply aesthetic choices; they are metaphors for the state of our environment and the consequences of human intervention.
East London Disruption
The blackened or disrupted skies in my photographs aim to provoke a sense of unease. They are not the skies we are used to seeing, but rather visions of an atmosphere that has been transformed, even damaged, by our actions. They remind us that climate change and environmental degradation are not abstract concepts, but urgent realities that affect us all. East London in Purple colours
Manhattan Overdose.
This body of work emphasizes on the fragile and complex relationship between humanity and nature. Through powerful and highly contrasted images, I seek to capture a world in transformation, a world where the atmosphere itself seems disturbed, altered, and transmuted. The skies I portray, often darkened or almost unreal, are not simply aesthetic choices; they are metaphors for the state of our environment and the consequences of human intervention. Brooklyn Bridge On the way to Manhattan in magenta colors.
Transformed Atmosphere in Barcelona.
Ultimately, this series seeks to open a dialogue with the viewer. It invites us to question what kind of world we are shaping, what skies future generations will inherit, and whether we are willing to acknowledge the atmosphere not as an invisible backdrop, but as a living entity that sustains us. These transformed, unsettling atmospheres are a mirror of our times, but they are also a call to awareness, to responsibility, and perhaps, to change. El Poble Nou transmutado.
Dramatic Sky at the Barcelona Forum
Transfiguered Brooklyn
This body of work emphasizes on the fragile and complex relationship between humanity and nature. Through powerful and highly contrasted images, I seek to capture a world in transformation, a world where the atmosphere itself seems disturbed, altered, and transmuted. The skies I portray, often darkened or almost unreal, are not simply aesthetic choices; they are metaphors for the state of our environment and the consequences of human intervention.
Changed Enviroment at Albert Bridge
These cityscape views are the magical result of extensive research and both intellectual and hands-on work with the computer. The urban landscape remains recognizable, yet it is completely transformed through light and color. This is a unique technique in the world, one that Carlos knows how to master brilliantly.
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