“La Gran Ría # 2.2” reflects on the delicate and often disrupted harmony between urban advancement and the natural environment. Through a masterful blend of oil and pencil on a grisaille base, the work evokes a cityscape where nature gradually reclaims its space, symbolizing both loss and hope. The subdued palette and layered textures create a contemplative atmosphere, inviting viewers to consider humanity’s impact on urban ecosystems and the possibility of coexistence. This piece belongs to the ongoing La Gran Ría series, which imaginatively redefines the relationship between nature and the constructed world.

Time has passed and humanity has vanished leaving behind only traces of its mess. Nature has returned, covering the city in silence and green. What was once a symbol of movement and progress is now reclaimed by trees and branches, a reminder that balance was never a choice but a necessity.




In this work, the city emerges almost organically from the surrounding nature, challenging the usual hierarchy between urban development and the natural world. This deliberate inversion blurs boundaries and invites reflection on the coexistence and tension between human constructions and the environment. The composition uses contrasting textures and tones to evoke a scene where nature reclaims its space, imbuing the urban landscape with a sense of renewal and quiet inevitability. The piece expresses a poetic contradiction that, ultimately, feels harmonious, highlighting nature’s enduring presence beneath the veneer of civilization.

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