Telefónica Blues

London Eye Spectrum

These series of this digital work emphasizes on the fragile relationship between humanity and nature. Through powerful and highly contrasted images, I seek to capture a world in transformation, a world where the atmosphere itself seems disturbed, altered, and transmuted. The skies I portray, often darkened or almost unreal, are not simply aesthetic choices; they are metaphors for the state of our environment and the consequences of human intervention.

Burning Empire

These series emphasizes on the legacy of industrialization and its silent cost: the warming of our world. The port, the chimneys, the factories—symbols of progress—now speak of disruption, excess, and fragility. Each photograph reveals a world upside down. They have been created through a process of inversion, negatives turned into positives, where light becomes shadow and colors erupt into explosive, unreal skies. These skies, often darkened, burning, or almost surreal, are not mere aesthetic choices; they are metaphors for the state of our atmosphere, disturbed, altered, and transmuted by human intervention. What remains are landscapes of a post-industrial New York, at once powerful and unsettling, where light and shadow exchange roles and the atmosphere itself seems to question us. These works do not shout; they whisper. And in their whisper lies a reminder: the climate is changing, and its memory is longer than ours. Yet their message is clear: How long can we remain indifferent, and will we act before it is too late?

Hot Blue Chinatown

These series emphasizes on the legacy of industrialization and its silent cost: the warming of our world. The port, the chimneys, the factories—symbols of progress—now speak of disruption, excess, and fragility. Each photograph reveals a world upside down. They have been created through a process of inversion, negatives turned into positives, where light becomes shadow and colors erupt into explosive, unreal skies. These skies, often darkened, burning, or almost surreal, are not mere aesthetic choices; they are metaphors for the state of our atmosphere, disturbed, altered, and transmuted by human intervention. What remains are landscapes of a post-industrial New York, at once powerful and unsettling, where light and shadow exchange roles and the atmosphere itself seems to question us. These works do not shout; they whisper. And in their whisper lies a reminder: the climate is changing, and its memory is longer than ours. Yet their message is clear: How long can we remain indifferent, and will we act before it is too late? Pushing technology to its limits, creates unreal and magical atmospheres. In this case, perhaps New York at night. Or maybe it is, rather, a powerful message: The atmosphere shown as disturbed, altered, transmuted. But isn’t that precisely what we humans have done to it?

Waiting Is Too Late

These series emphasizes on the legacy of industrialization and its silent cost: the warming of our world. The port, the chimneys, the factories—symbols of progress—now speak of disruption, excess, and fragility. Each photograph reveals a world upside down. They have been created through a process of inversion, negatives turned into positives, where light becomes shadow and colors erupt into explosive, unreal skies. These skies, often darkened, burning, or almost surreal, are not mere aesthetic choices; they are metaphors for the state of our atmosphere, disturbed, altered, and transmuted by human intervention. What remains are landscapes of a post-industrial New York, at once powerful and unsettling, where light and shadow exchange roles and the atmosphere itself seems to question us. These works do not shout; they whisper. And in their whisper lies a reminder: the climate is changing, and its memory is longer than ours. Yet their message is clear: How long can we remain indifferent, and will we act before it is too late? Pushing technology to its limits, creates unreal and magical atmospheres. In this case, perhaps New York at night. Or maybe it is, rather, a powerful message: The atmosphere shown as disturbed, altered, transmuted. But isn’t that precisely what we humans have done to it?

Horny Manhattan

These series of this digital work emphasizes on the fragile relationship between humanity and nature. Through powerful and highly contrasted images, I seek to capture a world in transformation, a world where the atmosphere itself seems disturbed, altered, and transmuted. The skies I portray, often darkened or almost unreal, are not simply aesthetic choices; they are metaphors for the state of our environment and the consequences of human intervention.

Bleeding New York

This series emphasizes on the legacy of industrialization and its silent cost: the warming of our world. The port, the chimneys, the factories—symbols of progress—now speak of disruption, excess, and fragility. Each photograph reveals a world upside down. They have been created through a process of inversion, negatives turned into positives, where light becomes shadow and colors erupt into explosive, unreal skies. These skies, often darkened, burning, or almost surreal, are not mere aesthetic choices; they are metaphors for the state of our atmosphere, disturbed, altered, and transmuted by human intervention. What remains are landscapes of a post-industrial New York, at once powerful and unsettling, where light and shadow exchange roles and the atmosphere itself seems to question us. These works do not shout; they whisper. And in their whisper lies a reminder: the climate is changing, and its memory is longer than ours. Yet their message is clear: How long can we remain indifferent, and will we act before it is too late? Vinnegar Hill and Lower Manhattan on wierd colours.

524 Weeks Left

This series emphasizes on the legacy of industrialization and its silent cost: the warming of our world. The port, the chimneys, the factories—symbols of progress—now speak of disruption, excess, and fragility. Each photograph reveals a world upside down. They have been created through a process of inversion, negatives turned into positives, where light becomes shadow and colors erupt into explosive, unreal skies. These skies, often darkened, burning, or almost surreal, are not mere aesthetic choices; they are metaphors for the state of our atmosphere, disturbed, altered, and transmuted by human intervention. What remains are landscapes of a post-industrial New York, at once powerful and unsettling, where light and shadow exchange roles and the atmosphere itself seems to question us. These works do not shout; they whisper. And in their whisper lies a reminder: the climate is changing, and its memory is longer than ours. Yet their message is clear: How long can we remain indifferent, and will we act before it is too late?

The Sky Is The Limit

This series emphasizes on the legacy of industrialization and its silent cost: the warming of our world. The port, the chimneys, the factories—symbols of progress—now speak of disruption, excess, and fragility. Each photograph reveals a world upside down. They have been created through a process of inversion, negatives turned into positives, where light becomes shadow and colors erupt into explosive, unreal skies. These skies, often darkened, burning, or almost surreal, are not mere aesthetic choices; they are metaphors for the state of our atmosphere, disturbed, altered, and transmuted by human intervention. What remains are landscapes of a post-industrial New York, at once powerful and unsettling, where light and shadow exchange roles and the atmosphere itself seems to question us. These works do not shout; they whisper. And in their whisper lies a reminder: the climate is changing, and its memory is longer than ours. Yet their message is clear: How long can we remain indifferent, and will we act before it is too late? Cannary Warf con unos extraordinarios colores y luz.

West London Blue's

This body of work emphasizes on the fragile relationship between humanity and nature. Through powerful and highly contrasted images, I seek to capture a world in transformation, a world where the atmosphere itself seems disturbed, altered, and transmuted. The skies I portray, often darkened or almost unreal, are not simply aesthetic choices; they are metaphors for the state of our environment and the consequences of human intervention.

East London Disruption

The blackened or disrupted skies in my photographs aim to provoke a sense of unease. They are not the skies we are used to seeing, but rather visions of an atmosphere that has been transformed, even damaged, by our actions. They remind us that climate change and environmental degradation are not abstract concepts, but urgent realities that affect us all. East London in Purple colours

Passa il Tempo a Santa Maria Sopra Minerva

In this series, I also address the rising sea levels, one of the most visible and urgent consequences of climate change. The water becomes both a mirror and a warning, symbolizing the way in which nature inevitably responds to our actions.

Manhattan Overdose.

This body of work emphasizes on the fragile and complex relationship between humanity and nature. Through powerful and highly contrasted images, I seek to capture a world in transformation, a world where the atmosphere itself seems disturbed, altered, and transmuted. The skies I portray, often darkened or almost unreal, are not simply aesthetic choices; they are metaphors for the state of our environment and the consequences of human intervention. Brooklyn Bridge On the way to Manhattan in magenta colors.

Transformed Atmosphere in Barcelona.

Ultimately, this series seeks to open a dialogue with the viewer. It invites us to question what kind of world we are shaping, what skies future generations will inherit, and whether we are willing to acknowledge the atmosphere not as an invisible backdrop, but as a living entity that sustains us. These transformed, unsettling atmospheres are a mirror of our times, but they are also a call to awareness, to responsibility, and perhaps, to change. El Poble Nou transmutado.

Dramatic Sky at the Barcelona Forum

Transfiguered Brooklyn

This body of work emphasizes on the fragile and complex relationship between humanity and nature. Through powerful and highly contrasted images, I seek to capture a world in transformation, a world where the atmosphere itself seems disturbed, altered, and transmuted. The skies I portray, often darkened or almost unreal, are not simply aesthetic choices; they are metaphors for the state of our environment and the consequences of human intervention.

Changed Enviroment at Albert Bridge

These cityscape views are the magical result of extensive research and both intellectual and hands-on work with the computer. The urban landscape remains recognizable, yet it is completely transformed through light and color. This is a unique technique in the world, one that Carlos knows how to master brilliantly.

Transmuted Skies in the South of Spain.

Seville’s Cartuja Island with a transformed atmosphere.

Too Bright to Dream

It is not what it seems: The West of Madrid Transmuted No es lo que parece: El Oeste de Madrid Transmutado

Canalejas en Candilejas. Madrid

Technically, it is an innovative photographic style in which the world is transformed, almost turned upside down. Lights become shadows, shadows become lights, colors shift to their complements, and magic emerges.