This body of work reflects on the fragile and complex relationship between humanity and nature. Through powerful and highly contrasted images, I seek to capture a world in transformation, a world where the atmosphere itself seems disturbed, altered, and transmuted. The skies I portray, often darkened or almost unreal, are not simply aesthetic choices; they are metaphors for the state of our environment and the consequences of human intervention. Midtown From Brooklyn Bridge
This body of this digital work reflects on the fragile relationship between humanity and nature. Through powerful and highly contrasted images, I seek to capture a world in transformation, a world where the atmosphere itself seems disturbed, altered, and transmuted. The skies I portray, often darkened or almost unreal, are not simply aesthetic choices; they are metaphors for the state of our environment and the consequences of human intervention.
This body of this digital work reflects on the fragile relationship between humanity and nature. Through powerful and highly contrasted images, I seek to capture a world in transformation, a world where the atmosphere itself seems disturbed, altered, and transmuted. The skies I portray, often darkened or almost unreal, are not simply aesthetic choices; they are metaphors for the state of our environment and the consequences of human intervention.
This body of work reflects on the fragile and complex relationship between humanity and nature. Through powerful and highly contrasted images, I seek to capture a world in transformation, a world where the atmosphere itself seems disturbed, altered, and transmuted. The skies I portray, often darkened or almost unreal, are not simply aesthetic choices; they are metaphors for the state of our environment and the consequences of human intervention. El Oeste de Londres.
This body of work reflects on the fragile and complex relationship between humanity and nature. Through powerful and highly contrasted images, I seek to capture a world in transformation, a world where the atmosphere itself seems disturbed, altered, and transmuted. The skies I portray, often darkened or almost unreal, are not simply aesthetic choices; they are metaphors for the state of our environment and the consequences of human intervention. Manhattan From a Penthouse.
In this series, I also address the rising sea levels, one of the most visible and urgent consequences of climate change. The water becomes both a mirror and a warning, symbolizing the way in which nature inevitably responds to our actions.
The blackened or disrupted skies in my photographs aim to provoke a sense of unease. They are not the skies we are used to seeing, but rather visions of an atmosphere that has beenransformed, even damaged, by our actions. They remind us that climate change and environmental degradation are not abstract concepts, but urgent realities that affect us all. East London in Purple colours
This body of work reflects on the fragile and complex relationship between humanity and nature. Through powerful and highly contrasted images, I seek to capture a world in transformation, a world where the atmosphere itself seems disturbed, altered, and transmuted. The skies I portray, often darkened or almost unreal, are not simply aesthetic choices; they are metaphors for the state of our environment and the consequences of human intervention. Brooklyn Bridge On the way to Manhattan in magenta colors.
This body of photographic work reflects on the fragile and complex relationship between humanity and nature. Through powerful and highly contrasted images, I seek to capture a world in transformation—a world where the atmosphere itself seems disturbed, altered, and transmuted. The skies I portray, often darkened or almost unreal, are not simply aesthetic choices; they are metaphors for the state of our environment and the consequences of human intervention. Pushing technology to its limits, creates unreal and magical atmospheres. In this case, perhaps New York at night. Or maybe it is, rather, a powerful message: The atmosphere shown as disturbed, altered, transmuted. But isn’t that precisely what we humans have done to it?
Ultimately, this series seeks to open a dialogue with the viewer. It invites us to question what kind of world we are shaping, what skies future generations will inherit, and whether we are willing to acknowledge the atmosphere not as an invisible backdrop, but as a living entity that sustains us. These transformed, unsettling atmospheres are a mirror of our times, but they are also a call to awareness, to responsibility, and perhaps, to change. El Poble Nou transmutado.
This body of work reflects on the fragile and complex relationship between humanity and nature. Through powerful and highly contrasted images, I seek to capture a world in transformation, a world where the atmosphere itself seems disturbed, altered, and transmuted. The skies I portray, often darkened or almost unreal, are not simply aesthetic choices; they are metaphors for the state of our environment and the consequences of human intervention. Cannary Warf con unos extraordinarios colores y luz.
This body of work reflects on the fragile and complex relationship between humanity and nature. Through powerful and highly contrasted images, I seek to capture a world in transformation, a world where the atmosphere itself seems disturbed, altered, and transmuted. The skies I portray, often darkened or almost unreal, are not simply aesthetic choices; they are metaphors for the state of our environment and the consequences of human intervention.
This body of work reflects on the fragile and complex relationship between humanity and nature. Through powerful and highly contrasted images, I seek to capture a world in transformation, a world where the atmosphere itself seems disturbed, altered, and transmuted. The skies I portray, often darkened or almost unreal, are not simply aesthetic choices; they are metaphors for the state of our environment and the consequences of human intervention. Downtown Manhattan from the Empire State Building.
Atmospheric Disruption. This body of work reflects on the fragile and complex relationship between humanity and nature. Through powerful and highly contrasted images, I seek to capture a world in transformation, a world where the atmosphere itself seems disturbed, altered, and transmuted. The skies I portray, often darkened or almost unreal, are not simply aesthetic choices; they are metaphors for the state of our environment and the consequences of human intervention.
Pushing technology to its limits, creates unreal and magical atmospheres. In this case, perhaps New York at night. Or maybe it is, rather, a powerful message: The atmosphere shown as disturbed, altered, transmuted. But isn’t that precisely what we humans have done to it?" This body of work reflects on the fragile and complex relationship between humanity and nature. Through powerful and highly contrasted images, I seek to capture a world in transformation, a world where the atmosphere itself seems disturbed, altered, and transmuted. The skies I portray, often darkened or almost unreal, are not simply aesthetic choices; they are metaphors for the state of our environment and the consequences of human intervention.
Seville’s Cartuja Island with a transformed atmosphere. This body of work reflects on the fragile and complex relationship between humanity and nature. Through powerful and highly contrasted images, I seek to capture a world in transformation—a world where the atmosphere itself seems disturbed, altered, and transmuted. The skies I portray, often darkened or almost unreal, are not simply aesthetic choices; they are metaphors for the state of our environment and the consequences of human intervention.
Vinnegar Hill and Lower Manhattan on wierd colours. This body of work photographic work reflects on the fragile and complex relationship between humanity and nature. Through powerful and highly contrasted images, I seek to capture a world in transformation, a world where the atmosphere itself seems disturbed, altered, and transmuted. The skies I portray, often darkened or almost unreal, are not simply aesthetic choices; they are metaphors for the state of our environment and the consequences of human intervention.
This body of work reflects on the fragile and complex relationship between humanity and nature. Through powerful and highly contrasted images, I seek to capture a world in transformation, a world where the atmosphere itself seems disturbed, altered, and transmuted. The skies I portray, often darkened or almost unreal, are not simply aesthetic choices; they are metaphors for the state of our environment and the consequences of human intervention. No es lo que parece: El Oeste de Madrid Transmutado
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