The grand art repository, the Prado Museum, seen from a unique perspective, its exquisite slate rooftops. All surrounded by trees and nature. In his artistic process, Arriaga incorporates the Grisalla and Glazes technique, a traditional technique method used by the ancient masters. They usually begin by painting the image all in black and white, creating a base known as grisaille, and then applying transparent color glazes layer by layer, producing a vibrant interplay of colors, gradients and volume. Carlos employs photography as a grisaille, fashioning a photograph with minimal contrast and prominent highlights. This technique enables him to attain a notable sense of volume when translating it into painting, in conjunction with a unique texture. It ultimately yields a captivating vibrancy, depth of color, and a characteristic texture.
An unprecedented view of Venice’s Basilica of San Marcos reveals its architectural splendor from an intimate and unexpected perspective. This piece invites viewers to rediscover the historic basilica beyond its familiar façades, emphasizing light, texture, and intricate details that often go unnoticed. Through subtle play of shadow and composition, the artwork transforms this iconic landmark into a new experience, blending reverence with artistic innovation.
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