Desde el Botánico Hasta El Prado.
The grand art repository, the Prado Museum, seen from a unique perspective, its exquisite slate rooftops. All surrounded by trees and nature. In his artistic process, Arriaga incorporates the Grisalla and Glazes technique, a traditional technique method used by the ancient masters. They usually begin by painting the image all in black and white, creating a base known as grisaille, and then applying transparent color glazes layer by layer, producing a vibrant interplay of colors, gradients and volume. Carlos employs photography as a grisaille, fashioning a photograph with minimal contrast and prominent highlights. This technique enables him to attain a notable sense of volume when translating it into painting, in conjunction with a unique texture. It ultimately yields a captivating vibrancy, depth of color, and a characteristic texture.
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Capriccio Sul Canal Grande. (Work in progress)
Capriccio Sul Canal Grande captures a visionary reimagining of Venice’s iconic waterway, blending architectural precision with a dreamlike atmosphere. The composition balances familiar landmarks with imaginative elements, suggesting both the city’s timeless beauty and its fragile relationship with nature and time. Through delicate interplay of light and shadow, and a nuanced palette, the work evokes a contemplative mood of transformation and persistence. The painting is a work in progress, reflecting an ongoing dialogue between reality and artistic vision, where tradition meets innovation in a vibrant urban landscape.
Selvaggio Coppedè
Tutto Coppedè Selvaggio captures the whimsical and eclectic spirit of Rome’s Coppedè district, where architecture becomes a fantastical blend of Art Nouveau, Baroque, and Medieval influences. This work immerses the viewer in a vibrant cityscape alive with intricate ornamentation and surreal details, evoking the district's unique charm and artistic heritage. Through a vivid palette and layered textures, the piece reflects the lively interplay between history and imagination that defines Coppedè’s architectural wonderland.
La Gran Ría # 3.
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